Lajos Mack (1876-1963) or Henrik Darilek (1879-1963?) for Zsolnay Pecs Very Rare Art Nouveau inspired water jug designed with flowers. Wavey red design against a purple iridescent ground. Marked to the underside. 20cm high. Henrik Darilek (1879-1963?) a master of decorative painting, served at the Zsolnay factory for eight years; he enriched the collection with decors and jewellery designs. He was a skilled proponent of the Art Nouveau form-language, who renewed historism and established the Art Nouveau style in Hungary at the same time.

19th century oil on canvas; Lady reading on grass verge. Unsigned. Fitted within a moulded frame. [Frame measures 71x101cm]

18th century Oil on wooden board after Godfrey Kneller. Jacobite James Radclyffe, 3rd earl Derwentwater brought up with the Old Pretender and joined the 1715 uprising leading to his ultimate demise following the Battle of Preston. Fitted within an antique gilt frame and wooden scroll detailing is death date. [19.5x15.5cm- portrait]

WWI German Kriegsmarine Navy brass bulk head clock "Th. Staebe Elbing" in a working condition. [Hinge missing and chip to glass -see images] [19.5cm diameter]

2015 Liberty 1.Oz 24ct gold American Buffalo coin. $50 coin.

Art Nouveau, Arts & crafts Glasgow School of Art style light fitting; Hammered gilt brass body work, seesaw inspired centre leading to two hanging opalescent glass shades.

Original Framed WWI 1918 Paul Nash Poster. An Official artist on the Western Front, War Paintings & Drawings, Leicester Galleries , Vincent Brooks Day & Son Ltd. London .W.C. Depicts "Void of War" art piece. [Frame-79x53cm]

'The Great Royal Wedding' dish 'ARABIC', by Siddig El Nigoumi, earthenware, Britain, 1981. Unglazed burnished clay, with incised decoration. The work of Siddig El Nigoumi is infused with African, Arabic and British influences. Born in The Sudan in 1931, Siddig followed a two-year period as a calligrapher by enrolling at the School of Art in Khartoum. It was there that he began to specialise in pottery. In 1957 he travelled to London to study ceramics at the Central School of Art. In 1967 he settled permanently in England. Siddig popularised the use of traditional African pottery techniques within British studio ceramics. His pots were handbuilt, their surfaces burnished by polishing with a stone or similar tool, and left unglazed. Decoration was often incised into their surfaces, and in this, Siddig's talents as a calligrapher are evident. This particular dish is an excellent example, and bears the inscription in Arabic 'al-zawwaj al-maliki al-kabir 1981' (The Great Royal Wedding 1981). This inscription is in an English translation on the back of the dish. Like a number of Siddig's pots, this dish also has the smoke-fired character of some traditional African pottery. Though actually fired in an electric kiln, Siddig would carefully smoke their surfaces with a lighted taper of rolled newspaper, imparting them with a rich and delicate patterning. [Small chips to rim] [5x27x24cm]

Two WW2 spitfire propeller blades, R.A.10167/RTS is a Seafire 15 or 17 with Griffon 6 engine- spitfire propeller 50 inches in length & R.A.10129/RTS is from spitfire 21 Griffon 65 engine- propeller 53.5 inches in length.

Samuel John Lamorna Birch, R.A., R.W.S. (1869-1955) Late 19th century oil painting on wooden panel. Depicting farm land and buildings. Signed and dated 1899. [16.5x23.5cm]